Follow the algorithm: An exploratory investigation of music on YouTube

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G Model POETIC 1239 No. of Pages 13 Rogers, R. (2013). Digital methods. Boston, MA: MIT Press. Santoro, M. (2002). What is a cantautore?: Distinction and authorship in Italian (popular) music. Poetics, 30, 111–132. Savage, M., & Gayo, M. (2011). Unravelling the omnivore: a field analysis of contemporary musical taste in the United Kingdom. Poetics, 39(5), 337–357. http://dx.doi.org/10.1016/j.poetic.2011.07.001. Schmutz, V. (2009). Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands. Poetics, 37(4), 298–314. http://dx.doi.org/10.1016/j.poetic.2009.06.006. Striphas, T. (2015). Algorithmic culture. European Journal of Cultural Studies, 18(4–5), 395–412. http://dx.doi.org/10.1177/1367549415577392. Suhr, H. C. (2009). Underpinning the paradoxes in the artistic fields of MySpace: the problematization of values and popularity in convergence culture. New Media & Society, 11(1–2), 179–198. http://dx.doi.org/10.1177/1461444808100158. Tepper, S. J., & Hargittai, E. (2009). Pathways to music exploration in a digital age. Poetics, 37(3), 227–249. http://dx.doi.org/10.1016/j.poetic.2009.03.003. Thelwall, M., Sud, P., & Vis, F. (2012). Commenting on YouTube Videos: from Guatemalan Rock to El Big Bang. Journal of the American Society for Information Science and Technology, 63(3), 616–629. http://dx.doi.org/10.1002/asi. van Dijck, J. (2009). Users like you? Theorizing agency in user-generated content Media. Culture & Society, 31(1), 41–58. http://dx.doi.org/10.1177/ 0163443708098245. van Venrooij, A., & Schmutz, V. (2010). The evaluation of popular music in the United States, Germany and the Netherlands: a comparison of the use of high art and popular aesthetic criteria. Cultural Sociology, 4(3), 395–421. van Venrooij, A. (2009). The aesthetic discourse space of popular music: 1985–86 and 2004–05. Poetics, 37(4), 315–332. http://dx.doi.org/10.1016/j. poetic.2009.06.005. Van Meeteren, M., Poorthuis, A., & Dugundi, E. (2010). Mapping communities in large virtual social networks. Proceedings of the IEEE Workshop on Business Applications of Social Network (pp. 1–8).. Vernallis, C. (2010). Music video and YouTube: new aesthetics and generic transformations case study: beyoncé’s and lady gaga’s «Telephone». In H. Keazor (Ed.), Rewind, play, fast forward: the past, present and future of the music videoBielefeld: Transcript Verlag. Wasserman, S., & Faust, K. (1994). Social network analysis: methods and applications. Cambridge: Cambridge University Press. Webb, P. (2007). Exploring the networked worlds of popular music. London & New York: Routledge. Zhang, B., Kreitz, G., Isaksson, M., Ubillos, J., Urdaneta, G., Pouwelse, J. A., et al. (2013). Understanding user behavior in spotify. INFOCOM, 2013, . Zhou, R., Khemmarat, S., & Gao, L. (2010). The impact of YouTube recommendation system on video. IMC’10 (pp. 404–410).. Massimo Airoldi is a PhD candidate in Sociology at the Department of Social and Political Sciences, University of Milan. He collaborates with the Centre for Digital Ethnography and with the Public Opinion & Media Lab, University of Milan. His main research interests are: cultural taste, digital media, online algorithms, text analysis, digital methods, communication research. Davide Beraldo is completing his PhD as part of a joint degree program between the University of Amsterdam (Dep. of Sociology) and the University of Milan (Dep. of Social and Political Sciences). He collaborates with the DATACTIVE research group (University of Amsterdam) and with the Centre for Digital Ethnography (University of Milan). His main research interests are social movements, digital methods, online network analysis and epistemology of complexity. Alessandro Gandini is a Lecturer in the Media Department, Middlesex University, London, and is research active at the Centre for Digital Ethnography, University of Milan. His research interests include the transformations of work in digital society, the intermediation of digital technologies within the processes of value production and distribution, and the research approaches to study digital environments and interaction. M. Airoldi et al. / Poetics xxx (2015) xxx–xxx 13 Please cite this article in press as: M. Airoldi, et al., Follow the algorithm: An exploratory investigation of music on YouTube, Poetics (2016), http://dx.doi.org/10.1016/j.poetic.2016.05.001 View publication stats

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